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  • This gorgeous Painting presents a nautch party. Musicians are playing musical instrument and two female dancers performing dance in the middle. Seated under a red canopy, the people are enjoying the nutch. The occasion is obviously very formal.
  • The scene relates Krishna became a gopi for Radha from Gita Govinda of Jaydeva. The artist illustrates the scene very interestingly. Krishna bedecked himself as female. He is wearing golden ornaments and pink sari with green border. The dark complexion gopi is very close gesture conversing with Radha. Brilliant colours, the romantic presentation and the figures are typical of the Neo Bengal School Style of 20th century. According to the Gita Govinda, where Krishna said to the Sakhi: "Please tell Radha that I am still with her. The lotuses that bloom in the Yamuna have been coloured by me and the yellow blossoms on the mango tree have opened because of my love and clang of peacocks and the clouds of Shravan pour rain. They do so because of my love and when two birds sing to each other they speak of my love for her"- Kanha Priya.
  • The artist portrays the Parthasarathi, who is the sarathi or charioteer of Partha or Arjuna is Krishna. He is holding the cord of chariot with his full strength in left hand, which signifies the control of the time or kala, while the right hand shows tarjani mudra. He is a living personality of godhead. He is bedecked with princely attire. The style of painting is purely in Ajanta manner. He came down to earth to extend his grace and love to his devotees, to save the righteous and punish the wicked, to remove the evils and establish virtue. "For when so ever right declines and wrong up rises, then I create myself. To guard up the good and destroy the wicked and to confirm the right I come into being in this age and that."
  • The painting represents three aristocracy traditional Bengali women wearing blue and green saris. They are sitting on the floor and covering the forehead with their pallus. They are bedecked with jumkas, bangles and nose-rings. The arched eyebrows give the elegant looks.
  • This painting shows Goddess Ganga is sitting on makara on padmasana. The word Ganga etymologically means that which emerges (ga) from the sky (gam). She is divine river that flows down to the earth from the heaven. Ganga water has always been considered as liquid medicine(Gangani pathyam or Himavat prabhava pathyah punya). She is considered sacred. Personified as a goddess, Ganga is worshiped by Hindus who believe that bathing in the river causes the remission of sins and facilitaes liberation from the cycle of life and death. Pilgrims travel long distances to immerse the ashes of their kin in the waters of ganges, bringing their sprits closer to nirvana. There are several beliefs that give various versions of the birth of Ganga. According to one version, the sacred water in Brahma's Kamandalu (water vessel) became personified as a maiden, Ganga. According to Vaishnavite legend, Brahma had reverently washed the feet of Vishnu and collected this water in his Kamandalu. According to yet a third version, Ganga was the daughter of Himvat, king of the mountains, and his consort Mena; she was thus a sister of the goddess Parvati. Every version declares that she was raised in the heavens, under the tutelage of Brahma.
  • This painting represents, Madonna and child drawn in a mirror frame. Madonna is also wearing red full-sleeves robe with golden veil(ordni). She is sitting with a baby on her lap and looks very motherly and gracefully towards the child. The Jesuit mission to the Mughal courts resulted in the synthesis of two diverse cultures. The fusion profoundly influenced the Mughal Tasbir-khana and constituted one of the most flourishing of artistic exchange.
  • Rama and Sita, seated on a throne being norshipped by Hanuman. Embelished with mica, beads and gold dust.
  • Deccani painting depicting - Ragini Devagandhar - Scene of a hermitage.
  • Deccani painting depicting - Ragini Dhanasri a lady or Nayika writing a letter to her lover and a female attendant waiting before her.
  • Three men enagageded in fighting ,one on horseback . This is form a Deccani Raga Nata series. The hasiya is picked out in gold.